
Fast forward 20 years he now works in the family hardware store which his younger brother manages, he is married with two young children and feels life is passing him by as he approaches his 40th birthday. Armstrong plays Perry Miller who in 1995 was the singer in a popular punk band. Ordinary World is an awful mid life crisis film starring Billie Joe Armstrong, lead singer of the band Green Day. Overall, the movie, written and directed by Lee Kirk, just took way too long to get unraveled, but at least the final parts of the film prevented it from being a complete clunker, in my opinion.

Thus, the film will follow Perry for one day,as he ends up spontaneously arranging a birthday party at a very fancy hotel, in NYC. He's having trouble, as he's ready to celebrate his 40th birthday, accepting living in his "ordinary world", as a husband and father of two, and mired in a job with his brother in a family owned hardware store. Now he's quite a scatterbrained but decent guy going through a midlife crisis. Billie Joe Armstrong (the lead vocalist for Green Day) stars here as Perry, a former punk rocker who left the band some years before to start a family.
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I felt there was a better movie in here somewhere that never really emerged, as the film got mired in awkward and flat humor, plus some plot elements that just didn't ring true. If only the first hour of this film was as good as its final twenty minutes. Still, despite the earnestly honorable intentions, and in keeping with the film's title, all involved here wind up coming off as not much more guessed it. In all candor, the same can be said of the turns turned in by the flick's supporting stable of actors, which includes a trio of highly capable pros in Selma Blair, Chris Messina and Fred Armisen. To the point where Armstrong's underplaying of his understated character never managed to amplify and fully engage me. However, he proves to be just a little TOO passive in this role. Now granted, Armstrong's Perry is of decidedly docile demeanor, having ostensibly fallen into the mostly uneventful life he now leads. Writer/Director Lee Kirk thrusts it completely upon Armstrong to carry his movie, as the brilliant musician performs in practically every single one of it's scenes. While the hard driving original music Armstrong contributes is fantastic, particularly the amped-up onslaught that mule kick starts the story, the superlatives for this largely lukewarm effort pretty much start and end there. When presented with the opportunity to celebrate his 40th birthday in grand style he does it up right in a posh New York City hotel suite, together with his ex band-mates and a pack of party animals he's heretofore never met. This cat is a fish flung FAR out of water as domesticated husband, father and feckless hardware store sales guy. The comedy stars Green Day front-man Billie Joe Armstrong as Perry, a just turned middle-aged singer/guitarist on indefinite hiatus from his once-promising rock group. It certainly signals that the rock star, who presumably doesn’t want to die before he gets old, could easily segue into an acting career.I really wanted to like "Ordinary World". But it’s Armstrong’s engaging turn that makes Ordinary World (formerly titled Geezer) an enjoyable if slight diversion. The rest of the cast - including such estimable actors as Kevin Corrigan, Dallas Roberts, and Brian Baumgartner - provide solid support.

Its chief amusements stem from watching its notoriously excess-loving star portraying a midlife crisis-suffering dad who says things like “I need a nap” and insists that his friends use coasters. Its plot hinging on such elements as the party getting slightly too raucous and whether Perry has lost the guitar he’s bought for his daughter’s upcoming recital, Ordinary World certainly lives up to its title (it also happens to be the name of a song from Green Day’s new album, which Armstrong performs acoustically in the film). Perry also runs into an old girlfriend (Judy Greer), now Joan Jett’s manager (the legendary rocker makes a cameo appearance), who tries to rekindle their romance. An unexpected windfall prompts Perry to impulsively rent the presidential suite at an upscale hotel and throw a party for himself and his friends, including a former bandmate (Fred Armisen) who’s still angry that their band’s “temporary hiatus” has lasted well over a decade.
